‘YIPPEE-KI-YAY’ by Kesha: the queen of recession pop returns

I Said I Loved You First: maybe we’re not ready for this

Flora by Hiroshi Yoshimura: as sublime as it is minimal

Sinister Grift by Panda Bear: pared-down melodies are a sweet surprise

Spotify’s royalty payouts are a PR win that betray its dominance

Music mimesis gives an old Doechii song several leases of life

Saya, by Saya Gray

So Close to What by Tate McRae: Factory-ready but full of talent

choke enough is an intimate palate cleanser with some distracting quirks

Paul McCartney brings ticket sales offline

K-pop proves attractive prospect for investors worried about tariffs

Lady Gaga is back and her fans are going goo–goo

Heavy Metal by Cameron Winter: rich in ramshackle rewards

‘Hot for You Baby’ by Tina Turner: simply not the best

DeBí TiRAR MáS FOToS, by Bad Bunny: a cross-generational reheating of Puerto Rican music

Who Let The Dogs Out: smells like Gen Z spirit